Oliver Goldsmith She Stoops to Conquer:
Now, those creatures are gone because their spots have been taken by the friars and other mendicants that seem to fill every nook and cranny of the isle. And though the friars rape women, just as the incubi did in the days of the fairies, the friars only cause women dishonor—the incubi always got them pregnant.
Overcome by lust and his sense of his own power, he rapes her. The court is scandalized by the crime and decrees that the knight should be put to death by decapitation. Arthur, wisely obedient to wifely counsel, grants their request. The queen presents the knight with the following challenge: The knight sets forth in sorrow.
He roams throughout the country, posing the question to every woman he meets. Some claim that women love money best, some honor, some jolliness, some looks, some sex, some remarriage, some flattery, and some say that women most want to be free to do as they wish.
Finally, says the Wife, some say that women most want to be considered discreet and secretive, although she argues that such an answer is clearly untrue, since no woman can keep a secret.
The Wife then says that if her listeners would like to hear how the tale ends, they should read Ovid.
She returns to her story of the knight. When his day of judgment draws near, the knight sorrowfully heads for home. As he rides near a forest, he sees a large group of women dancing and decides to approach them to ask his question. But as he approaches, the group vanishes, and all he can see is an ugly old woman.
The woman asks if she can be of help, and the knight explains his predicament and promises to reward her if she can help him.
The woman tells the knight that he must pledge himself to her in return for her help, and the knight, having no options left, gladly consents. She then guarantees that his life will be saved.
The knight and the old woman travel together to the court, where, in front of a large audience, the knight tells the queen the answer with which the old woman supplied him: The old hag comes forth and publicly asks the knight to marry her.
The knight cries out in horror. He begs her to take his material possessions rather than his body, but she refuses to yield, and in the end he is forced to consent. The two are married in a small, private wedding and go to bed together the same night.
Throughout the entire ordeal, the knight remains miserable. While in bed, the loathsome hag asks the knight why he is so sad. He replies that he could hardly bear the shame of having such an ugly, lowborn wife.
There have been sons of noble fathers, she argues, who were shameful and villainous, though they shared the same blood.
Her family may be poor, but real poverty lies in covetousness, and real riches lie in having little and wanting nothing. She offers the knight a choice: The knight ponders in silence. Finally, he replies that he would rather trust her judgment, and he asks her to choose whatever she thinks best.
The two have a long, happy marriage, and the woman becomes completely obedient to her husband. The Wife of Bath concludes with a plea that Jesus Christ send all women husbands who are young, meek, and fresh in bed, and the grace to outlive their husbands.The Canterbury Tales is the last of Geoffrey Chaucer.
Essays for The Canterbury Tales. The Canterbury Tales is considered one of the greatest works produced in Middle English. Geoffrey Chaucer's Canterbury Tales is a Masterpiece - Geoffrey Chaucer's masterpiece "The Canterbury Tales" depicts characters from every stratum of feudal society and exposes the contradictions of the character's social roles.
JSTOR is a digital library of academic journals, books, and primary sources. Geoffrey Chaucer The greatest poet of the Middle English period was the son of a wealthy wine-merchant of powerful connections.
As a boy he was a page to the Countess of Ulster, and later was employed as a valet in the Royal household.4/4(1). Chaucer's Canterbury Tales - The Nun’s Priest’s Tale - The Nun’s Priest’s Tale The tale told by the Nun’s Priest is a fable or story with animals as the main characters and .
Geoffrey Chaucer’s stories of human experience in the Canterbury Tales are often used as evidence that Chaucer was a sort of proto-feminist. Three pilgrims who are women are actually given voice in the Tales: the Wife of Bath, the Prioress, and the Second Nun – at a time when women were still expected largely to be silent.